Movies Detail of The Shadow (1994)
✓ Title : The Shadow
✓ Release Date : July 1st, 1994
✓ Genres : Adventure, Fantasy, Action, Thriller, Science Fiction
✓ Runtime : 108 minutes
✓ Directors : Russell Mulcahy, Louis D'Esposito, June Samson
✓ Writers : David Koepp, Walter B. Gibson
✓ Companies : Bregman/Baer Productions, Universal Pictures
✓ Country : United States of America
✓ Cast : Jonathan Winters, Tim Curry, Alec Baldwin, Penelope Ann Miller, Peter Boyle, Sab Shimono, John Lone, James Hong, Ian McKellen, Brady Tsurutani
✓ Release Date : July 1st, 1994
✓ Genres : Adventure, Fantasy, Action, Thriller, Science Fiction
✓ Runtime : 108 minutes
✓ Directors : Russell Mulcahy, Louis D'Esposito, June Samson
✓ Writers : David Koepp, Walter B. Gibson
✓ Companies : Bregman/Baer Productions, Universal Pictures
✓ Country : United States of America
✓ Cast : Jonathan Winters, Tim Curry, Alec Baldwin, Penelope Ann Miller, Peter Boyle, Sab Shimono, John Lone, James Hong, Ian McKellen, Brady Tsurutani
Synopsis of The Shadow (1994)
Based on the 1930's comic strip, puts the hero up against his arch enemy, Shiwan Khan, who plans to take over the world by holding a city to ransom using an atom bomb. Using his powers of invisibility and "The power to cloud men's minds", the Shadow comes blazing to the city's rescue with explosive results.
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◈ - Often strictly defined as a literary genre or form, though in practice it is also found in the graphic and performing arts. In satire, human or individual vices, follies, abuses, or shortcomings are held up to censure by means of ridicule, derision, burlesque, irony, or other methods, ideally with the intent to bring about improvement. Satire is usually meant to be funny, but its purpose is not primarily humour as an attack on something the author disapproves of, using wit. A common, almost defining feature of satire is its strong vein of irony or sarcasm, but parody, burlesque, exaggeration, juxtaposition, comparison, analogy, and double entendre all frequently appear in satirical speech and writing. The essential point, is that "in satire, irony is militant." This "militant irony" (or sarcasm) often professes to approve (or at least accept as natural) the very things the satirist actually wishes to attack.
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